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Filip Tkáč

FULL AUDIO
POST-PRODUCTION

Creating high-standard mixes for short-form and long-form content

Taking your film from foley through dialogue editing and sound design, all the way to the final mix

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Showreel

About

I'm a post-production sound engineer with 5 years of experience and a variety of projects under my belt, ranging from short films, documentaries and commercials to feature films. I'm keen on experimenting and helping filmmakers find the sonic vision for their films.

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I completed my Film studies at Falmouth University in 2023, where I also found my niche in post-production audio. As it happens with smaller productions, though, I would not only handle post-production but also on-location recording.

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One of my proudest achievements was becoming the Dubbing Mixer on Wildworks' hybrid feature production of I Am Kevin (2023, dir. Josh and Myriddin Pharo).

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Before and after, many projects I worked on have been selected for a multitude of festivals, earning nominations and wins. But to name an award that directly praises my work would be KIFF 2023's 'Best Sound Design' award for my work on the short film Conti (2023, dir. Julie Minichová).

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Anyway, that is as much talking about myself as I can handle, so if you'd like to know if I'm the right person for your project, I'm just a message away.

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Credits

Click on the PDF icon to view full credits

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SOFTWARE & KIT

DAW: Pro Tools 2026

Plug-ins: iZotope RX 11 Dialogue Clean-up Suite, Dehumaniser 2,

Reformer Pro, Insight 2, and many others for sound design,

editing and mixing purposes

Recording Equipment: RODE NTG4+, ZOOM H4n Pro

PRICING

  • 10-minute short film (No complex sound design) - £300

  • 10-minute short film with heavier focus on sound design - £400

Pricing Factors:​

  • Timeframe / Deadline for Completion

  • Complexity of the vision

  • Level of detail required

  • Quality of your on-location recordings

​The quotes above are based on a 10-minute benchmark, but in all likelihood, your project will be longer or a little shorter, and I don't take credits into consideration as long as you're not looking to create a complex soundscape for this part, too.

 

In other words, the needs of each and every project may be different, so I would suggest shooting me a message, and we can discuss what workload your project may entail, and I'll give you an appropriate quote.

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